![]() The album starts with Stage 4 Post Awareness Confusions, with song names being more clinical, as if The Caretaker is too lost to properly name anything anymore. Stage 4 was released in April of 2018 as the first of the Post-Awareness albums. Main article: Everywhere at the end of time - Stage 4 The album - and the "lucidity stages" at large - conclude with Mournful cameraderie, the last clear appearance of Heartaches, drowned by drones and mutilated to the edge of recognition. ![]() There are 8 tracks on both the E-side and F-side of the album, coming to a total of 16 tracks - the most out of any EATEOT album. Despite all this increasing degradation, large portions of melodies are recognizable. Tracks in Stage 3 are dramatically more distorted and choppy than in the previous two tracks, with violent static and scrambled audio not heard at all in the previous two tracks. (For example, To the minimal great hidden pulls its name from Pared back to the minimal, track 10 of An empty bliss, and The great hidden sea of the unconscious, track 03.) Indeed, most of Stage 3 appears to be an attempt to recall An Empty Bliss, as all the track titles are mashed track titles from Stages 1 and 2, as well as An empty bliss beyond this World. Attentive listeners may notice that it shares the same motif as Libet's delay from An empty bliss beyond this World. The opening track, Back there Benjamin, is a highly distorted version of Goodnight, My Beautiful. Stage 3 was released in September of 2017 and represents the fourth clinical stage of dementia. Main article: Everywhere at the end of time - Stage 3 The album concludes its runtime with The way ahead feels lonely, an orchestral piece that signifies that The Caretaker is aware of what is to come. ![]() There are 5 tracks on both the C-side and D-side of the album, coming to a total of 10 songs. Much like Stage 1, tracks are still relatively calm and recognizable, with some exceptions (e.g. However, the samples counteract the fewer effects, creating a more emotional experience than the previous stage. Surprisingly, tracks in Stage 2 are less altered than Stage 1 due to some tracks utilizing the full song rather than just a loop. The album begins with the track A losing battle is raging, taking a poorly-preserved record and turning it into a long meandering memory hanging just above a thick brain fog. At large, samples more melancholic or "sadder" in tone are used rather than the brass ballads of Stage 1. Main article: Everywhere at the end of time - Stage 2 The static is also generally quiet and calm. With the exception of the fifth track, Slightly bewildered, the music sounds very close to the original samples, with little distortion. The album concludes with My heart will stop in joy, a grandiose brass ballad with a triumphant melody and instrumentation. Each side of the first album contains six tracks, totaling 12 songs. The album opens with the track It's just a burning memory, which is the first usage of Heartaches in the project. Around this time, Leyland announced that Everywhere At The End Of Time would be the last series of releases under the the Caretaker moniker. Stage 1 of the project was released on September 22nd of 2016. Main article: Everywhere at the end of time - Stage 1 The concept of exploring the progression of dementia would become the main focus for the Everywhere At The End Of Time project. Whereas An Empty Bliss represented a sort of "day in the life" of an Alzheimer's patient, the next release would have to expand upon the concept. Following An Empty Bliss Beyond This World, Leyland Kirby looked to further explore the concepts of Alzheimer's and Dementia.
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